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Titre: | Ear Perception as a Poetic Device: The Aesthetics of Sound in William Wordsworth’s Poetry |
Auteur(s): | Ali Belleili, Hicham |
Mots-clés: | William Wordsworth Romanticism Imagination Poetry Poetics Music and Literature Hearing Sound Aesthetics Ear perception Musical metaphors |
Date de publication: | 2020 |
Editeur: | Linguæ & Rivista di lingue e culture moderne |
Résumé: | Wordsworth’s romantic approach to poetry manifests itself through a
rich array of writing techniques. His reliance on the five senses in his poetic depic-
tions constitutes an aesthetics that swerves from a mimetic representation of reality
and embraces reliance on personal experiences and subjective impressions. Among
other senses, Wordsworth gives particular attention to the ear. Some important poems
of his feature sound and music as stylistic devices illustrating a few theoretical con-
cepts already developed in “Preface to Lyrical Ballads” (1802). In selected passages
from The Prelude and “The Solitary Reaper” Wordsworth uses sound and hearing
as metaphors for his principle of poetic creation in tranquillity, while in poems like
“The Power of Sound” and “The Power of Music” the motive of music distinctively
reveals Wordsworth’s differentiation between the poet and the ordinary man as plainly
exposed in his “Preface”. |
URI/URL: | doi: https://doi.org/10.7358/ling-2020-001-bel http://dlibrary.univ-boumerdes.dz:8080/handle/123456789/9896 |
ISSN: | 1724-8698 |
Collection(s) : | Publications Internationales
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